URSA Cine 12K LF 100G + EVF - Blackmagic
Digital Cinema Cameras > Medium Format Sensor
EAN:9338716010602
€ 11.249,00 + VAT
€ 13.723,78 VAT Included
Adcom - Blackmagic
New
Available in 15 days
Blackmagic Camera Ursa Cine 12K LF (100G Ethernet) with Large Format sensor, 5" LCD display + EVF
This advanced model features an ultra-fast 100G Ethernet port for live SMPTE-2110 video transmission at extremely high frame rates.
Thanks to the new B4 broadcast lens mount, it can reach up to 440 fps.
This allows primary cameras to be transformed into high frame rate cameras, perfect for live sports and replays, while maintaining the large format 36x24mm RGBW sensor and 16 stops of dynamic range.
It features a massive 8TB of high performance removable internal storage, ultra-fast 100G Ethernet, WiFi for instant file upload and sync to the Blackmagic Cloud, and also includes the URSA Cine EVF.
Two cameras in one
The world's most advanced digital film camera can now also be used for live production!
It's like having two completely different cameras in one design.
Broadcasters can finally get the same amazing cinematic quality that has always been reserved for the film industry.
No other broadcast camera can match the dynamic range, frame rate and color science of the Blackmagic URSA Cine.
Because it handles both feature film and live production, you can use it for any type of work.
Perfect for feature films and post production
When set to record, the camera captures Blackmagic RAW onto the Media Module.
It's ideal for feature film shoots because it preserves the full dynamic range of the sensor, allowing color grading to bring out the uniqueness of each scene.
You can also record proxy files in real time to sync with a remote post production team, and connect a DaVinci workstation to the camera's 10G Ethernet port for on-set grading.
Film quality for live production
When you set the camera to SMPTE-2110 Live in the menu, it instantly transforms into a studio camera for live production!
Get real-time SMPTE-2110 IP video over a 10G Ethernet connection, supporting up to 2160p60 at cinema quality with 16 stops of dynamic range. This far surpasses traditional broadcast cameras.
The 100G model also lets you capture live video at up to 440 fps for spectacular slow motion sports replays!
Large Format Cinema Sensor
Featuring a revolutionary sensor, Blackmagic URSA Cine delivers incredible images at all resolutions from 4K all the way up to 17K!
This large format sensor, based on the original 12K Super 35 RGBW sensor, features larger photosites for an incredible 16 stops of dynamic range.
The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color oversampling, optimized for vibrant colors at any resolution, providing unparalleled flexibility and image quality.
Now you can capture even more detail with the widest dynamic range ever.
And thanks to internal sensor scaling, you can record in all resolutions without cropping!
Interchangeable Lens Mounts
Every project requires a different lens, which is why URSA Cine features an interchangeable lens mount.
You can quickly switch between PL, LPL, EF and even B4 mounts for broadcast, and use large PL or LPL cinema lenses or EF photographic lenses because URSA Cine supports the widest range of professional lenses!
Imagine working with modern high-speed lenses for sharp, precise footage, then immediately switching to vintage photographic lenses for a period drama. Each lens mount features contact pins to read lens metadata for monitoring and post-production.
With Blackmagic URSA Cine, you have the freedom to choose the lenses you need for any type of production!
Built-in Monitoring and Controls
Blackmagic URSA Cine's wide range of monitoring options makes it easier for crews to get to work on set.
The fold-out monitor features a large 5" HDR touchscreen on one side and a color status LCD on the other.
The monitor can be rotated or folded flat! The right side features a second 5" HDR touchscreen with dedicated controls, so operators can work around the camera without the need for an external monitor.
And thanks to the 1500 nit display and removable sunshade, the screen is visible even in direct sunlight.
The display overlays status and recording information, a histogram, frame guides and more.
There's even a focus mode that helps assistant operators get perfect focus.
This advanced model features an ultra-fast 100G Ethernet port for live SMPTE-2110 video transmission at extremely high frame rates.
Thanks to the new B4 broadcast lens mount, it can reach up to 440 fps.
This allows primary cameras to be transformed into high frame rate cameras, perfect for live sports and replays, while maintaining the large format 36x24mm RGBW sensor and 16 stops of dynamic range.
It features a massive 8TB of high performance removable internal storage, ultra-fast 100G Ethernet, WiFi for instant file upload and sync to the Blackmagic Cloud, and also includes the URSA Cine EVF.
Two cameras in one
The world's most advanced digital film camera can now also be used for live production!
It's like having two completely different cameras in one design.
Broadcasters can finally get the same amazing cinematic quality that has always been reserved for the film industry.
No other broadcast camera can match the dynamic range, frame rate and color science of the Blackmagic URSA Cine.
Because it handles both feature film and live production, you can use it for any type of work.
Perfect for feature films and post production
When set to record, the camera captures Blackmagic RAW onto the Media Module.
It's ideal for feature film shoots because it preserves the full dynamic range of the sensor, allowing color grading to bring out the uniqueness of each scene.
You can also record proxy files in real time to sync with a remote post production team, and connect a DaVinci workstation to the camera's 10G Ethernet port for on-set grading.
Film quality for live production
When you set the camera to SMPTE-2110 Live in the menu, it instantly transforms into a studio camera for live production!
Get real-time SMPTE-2110 IP video over a 10G Ethernet connection, supporting up to 2160p60 at cinema quality with 16 stops of dynamic range. This far surpasses traditional broadcast cameras.
The 100G model also lets you capture live video at up to 440 fps for spectacular slow motion sports replays!
Large Format Cinema Sensor
Featuring a revolutionary sensor, Blackmagic URSA Cine delivers incredible images at all resolutions from 4K all the way up to 17K!
This large format sensor, based on the original 12K Super 35 RGBW sensor, features larger photosites for an incredible 16 stops of dynamic range.
The unique RGBW architecture provides equal amounts of red, green and blue pixels for incredible color oversampling, optimized for vibrant colors at any resolution, providing unparalleled flexibility and image quality.
Now you can capture even more detail with the widest dynamic range ever.
And thanks to internal sensor scaling, you can record in all resolutions without cropping!
Interchangeable Lens Mounts
Every project requires a different lens, which is why URSA Cine features an interchangeable lens mount.
You can quickly switch between PL, LPL, EF and even B4 mounts for broadcast, and use large PL or LPL cinema lenses or EF photographic lenses because URSA Cine supports the widest range of professional lenses!
Imagine working with modern high-speed lenses for sharp, precise footage, then immediately switching to vintage photographic lenses for a period drama. Each lens mount features contact pins to read lens metadata for monitoring and post-production.
With Blackmagic URSA Cine, you have the freedom to choose the lenses you need for any type of production!
Built-in Monitoring and Controls
Blackmagic URSA Cine's wide range of monitoring options makes it easier for crews to get to work on set.
The fold-out monitor features a large 5" HDR touchscreen on one side and a color status LCD on the other.
The monitor can be rotated or folded flat! The right side features a second 5" HDR touchscreen with dedicated controls, so operators can work around the camera without the need for an external monitor.
And thanks to the 1500 nit display and removable sunshade, the screen is visible even in direct sunlight.
The display overlays status and recording information, a histogram, frame guides and more.
There's even a focus mode that helps assistant operators get perfect focus.
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